Anni Haapaniemi

I come from Toholampi, a tiny rural municipality in Central Ostrobothnia where as recently as in the 1980s there were more cows than people. I was a farm girl, and in my childhood I knew about as much about oboe solos as a pig knows about a windmill.

Toholampi has a robust musical tradition. I began singing in a choir and playing the piano when I was barely knee-high. The community has had an active wind band for more than 40 years; it has fostered some 30 professional musicians and countless music enthusiasts in the course of its history. At the age of eleven, I was so keen to join the wind band that I started learning the oboe at the suggestion of the band conductor.

The hobby started to morph into a career; I was still in middle school when I had the opportunity to perform with the Ostrobothnian Chamber Orchestra alongside my teacher Regina Hamarikivi. I have retained a close and meaningful relationship with the orchestra ever since.

After attending the music upper secondary school at Kaustinen, I went on to study at the Sibelius Academy and then in Gothenburg, Geneva and Paris. In 2003, I got my first orchestral job with the Tampere Philharmonic. I then played with the Helsinki Philharmonic before landing my dream job with the Tapiola Sinfonietta. Orchestral repertoire contains a wealth of oboe solos, some soaring over a string background and others bubbling along as part of a woodwind texture. I enjoy both.

Chamber music is also important to me, and I particularly enjoy playing Baroque and Classical oboe. In my free time, I can be found spending time with my children or otherwise being busy at home with handicrafts or unread books. There is time enough to carve mouthpiece reeds at night.

Programme

Wed
16.7.
Sat
19.7.

Matthew Whittall (1975):

Devil's Gate for oboe, bassoon and piano (2014–15)

Mon
21.7.

Carl Nielsen (1865—1931):

Two Fantasy Pieces, Op. 2 for oboe and piano (1889)

Tue
22.7.