Natacha Kudritskaya

Natacha Kudritskaya

Natacha Kudritskaya studied in Kiev at the Tchaikovsky National Music Academy of Ukraine as a pupil of Irina Barinova and Igor Riabov and then at the Paris Conservatory Important teachers along the way have included Alain Planès, Jacques Rouvier, Ferenc Rados and Henri Barda. The music of Rameau was a major turning point in her life as regards Kudritskaya’s playing technique, and she has made two albums of the composer’s music. In 2009 she was successful in more than one competition and was invited to perform at several important festivals and prominent concert venues, including the Cité de la musique in Paris, the Musikverein Wien, the Wigmore in London, the Gstaad Festival and Kuhmo Chamber Music. She also regularly visits Ukraine. The events of 2014 gave her return home poignant significance and since then she has toured the country giving concerts.

Programme

Thu
18.7.

Jean-Philippe Rameau (1683—1764):

Gavotte et six doubles from Nouvelles suites de pièces de clavecin (ca. 1728)

Thu
18.7.

Claude Debussy (1862—1918):

Passepied in F sharp minor from Suite Bergamasque for piano (1905)

Thu
18.7.

François Couperin (1668—1733):

Les Folies françoises, ou les Dominos from Pièces de clavecin, troisième livre (1722)

Fri
19.7.

Ludwig van Beethoven (1770—1827):

Piano Sonata No. 32 in C minor, Op. 111 (1821–22)

Sat
20.7.

Leonard Bernstein (1918—1990):

La Bonne Cuisine (Four Recipes) suite for voice and piano (1947, based on Émile Dumont's cookbook La Bonne Cuisine Française)

Sat
20.7.

Erik Satie (1866—1925):

Trois morceaux en forme de poire for piano four hands (1903)

Sat
20.7.
Sat
20.7.

Astor Piazzolla (1921—1992):

Se termino (C'est Fini) (1964)

Sat
20.7.
Sat
20.7.
Sat
20.7.
Sat
20.7.

Claude Debussy (1862—1918):

Clair de lune from Suite Bergamasque for piano (1890)

Sun
21.7.

Francis Poulenc (1899—1963):

Sonata FP 119 for violin and piano (1942–43, rev. 1949)

Tue
23.7.

Olivier Messiaen (1908—1992):

Quatuor pour la fin du temps (Quartet for the End of Time) for violin, clarinet, cello and piano (1940–41)